Dec 13, 2014
You and a friend are hiking in the woods. He's a few paces ahead. You see him go around a bend, but when you arrive, a second later, he's not there.
Your father walks out the front door of your house to go to the mailbox, a journey of 10 yards. He is never seen again.
A man boards an airplane. He is served by the flight attendant in flight. When the plane lands, he is gone.
He was never seen again.
It was a journey of 10 feet. He was out of Krause's sight for only a few seconds.
A few days later, his coat was discovered on a farm a mile north of Perleberg. And his pants, in the woods near the town of Quitzow.
The gay connection:
1. Bathurst and his servant sharing a room.
2. Wherever he went, he was naked when he arrived.
The story didn't get much press in 1809, but when it was rediscovered by Charles Fort in the 1920s, paranormal enthusiasts went wild. It was repeated in every compendium of the unexplained.
Maybe he was abducted by aliens, or zapped into a parallel world. Maybe he became a time traveler. Or a vampire.
Many science fiction writers, including Poul Anderson, H. Piper Beam, Robert Heinlein, and Robert Bloch, have covered his story.
Recently debunkers have been pushing a more mundane explanation: that Bathurst was dragged back into the inn and murdered, with robbery or political assassination as the motive (it was a rough part of town, in the middle of the night).
An adaptation of H. Piper Beam's story He Walked Around the Horses will appear in February 2015, written and directed by Claude Miles, who will also play Benjamin Bathurst. Miles has also appeared in such films as Trouser Snake (aka Penis Monster), The Last Temptation of Fluffy, Cow Tippers from Outer Space, Flying Saucers over Fetishland, and Tarzan's Teenage Daughter, so I'm going to guess that this will not be a serious production.
See also: Richard Halliburton
Dec 11, 2014
At 7:00, he turned on the tv. I expected Mork and Mindy, but he turned the channel to Legends of the Superheroes, explaining that it was a sort of live--action version of The Challenge of the Superfriends on Saturday morning.
I hadn't watched Saturday morning tv for a few years, and I was never much interested in superhero cartoons like The Superfriends, but I let Ken watch, glancing over occasionally from my German textbook to see if there was any beefcake.
Batman and Robin were played by Adam West and Burt Ward, reprising their roles from a decade before. The other actors were unknown, at least to me
Garrett Craig bulged nicely in his Captain Marvel uniform.
But Bill Nuckols was the most memorable, a massive bodybuilder, half-naked in his Hawkman costume.
Apparently there was a sequel the next week, a spoof of Celebrity Roasts, but I didn't see it.
There was no internet yet, no way to find out anything else about the beefcake stars, so I shuffled them into the back of my memory, and eventually forgot about them.
But recently, I found an interview with them about Legends of the Superheroes.
Bill Nuckols returned to bodybuilding, placing #6 in the AAU Mr. America competition. His only tv and film credits are Moose on Sunset Cove, and Wally in Supertrain.
But you can buy Legends of the Superheroes on DVD and marvel at this long-forgotten beefcake fest from 35 years ago.
Dec 7, 2014
It begins, like 28 Days Later, with Georgia cop Rick (Andrew Lincoln) awakening from a coma to discover that most of the population has turned into zombies, leaving only scattered bands of survivors. He goes off in search of his wife and son. The first survivor he meets is heartbroken because his wife has become a zombie.
That was more than enough heterosexism at the end of the world, thank you.
Recently I've begun watching again. We're in the middle of Season 3. So far there have been innumerable other men who have lost their wives, plus a few women who have lost their husbands. Apparently the zombies target only one half of each heterosexual couple.
And there's been exactly one reference to the existence of LGBT people: when former prison inmate Axel (Lew Temple) joins the group, he complains that it doesn't have any eligible women: they're either too young, or already involved, and Carol (Melissa McBride) is a lesbian. She protests that she's not a lesbian -- she lost her husband to the zombies --she just happens to have short hair.
The comic book series apparently introduces a gay couple in Issue 67: Andrew and Eric, "the only two gay guys left in the world," who live in the Alexandria, Virginia Safe Zone. Eric is eventually killed, but Andrew survives and becomes a regular character.
The tv series hasn't gotten out of Atlanta yet, so there has been no opportunity to introduce Andrew and Eric. You could invent gay characters of your own, of course, but every time a fan board suggests that this or that character might be gay, the producers summarily deny it.
Norman Reedus (left), who plays Daryl Dixon, the redneck hunter (and the only one in the group who hasn't found a way to stay perfectly coiffed) states that his character is "prison gay," open to same-sex relationships if there aren't any women available. But this apparently was his own decision in fleshing out the character, unknown to the producers.
There are no gay people in their series to date.
Are they making a homophobic statement about the survival chances of limp-wristed, fashion-obsessed swishes in a zombie attack?
Or are they proclaiming, like Giles on Buffy the Vampire Slayer, that with so many important survival issues, there is no room at the end of the world for discussions of "orientations"? Except heterosexual orientations, of course.
Or are they just following tradition: except for a few low-budget indie pictures and Stephen King's Cell, gay people are always unwelcome at the end of the world.
But not to worry: there's plenty of beefcake, such as Shane (Jon Bernthal (top photo, Rick's cop buddy who slept with his wife while he was in a coma), and Glenn (Steven Yeun, left), a former pizza delivery boy who becomes the group's most skillful scout.
And there's plenty of same-sex buddy-bonding going on, sometimes between men who don't express any heterosexual interest (presumably they are still grieving over wives lost to the zombies).
So we can go back to what we did in the dark ages before Stonewall: find glimmers of meaning even when we are being told over and over again that we do not exist.
Or we can stop watching.
I wasn't happy: first, it's set in a weird faux-retro world with cell phones and the internet, but everyone looks and acts and thinks like the 1950s No one has ever heard of the women's rights movement, or sexual harassment (turns out that it was actually based on a short story published in 1988).
Second: this is an utterly gay-free world, with not even a subtext to alleviate the heteronormativity. I don't think two male characters are ever in the same room with each other.
Third: there's no beefcake. There are full-body shots of naked women (I mean breasts, vagina, the works) in bed with fully-clothed men (I mean even the shoes stay on).
Still, I found something that accidentally resonated with my coming out experience.
She loves it.
She begins making errors on purpose, so Mr. Grey will spank her again.
She loves that, too. In fact, by allowing herself to be controlled, she blossoms, becoming more assertive, standing up to her weird parents, walking through the park alone for the first time in her life. She stops cutting herself.
Neither Lane nor Mr. Grey have any idea what is happening. Why do they have the desire to control and be controlled? Is Mr. Grey evil? Is Lane sick? They have no vocabulary, no models, no explanations. As far as they know, they are the only people in the history of the world who have felt this way.
They stumble about, searching for meaning.
I kept wanting to yell, "You nitwits, there's no big mystery -- you're into S&M! There are clubs, newsletters, guidebooks, retail outlets! Go online, and look it up!"
But then I thought about growing up in a world where same-sex desire absolutely did not and could not exist, where gay people were never mentioned or written about in books. I was stumbling about in the dark, without even a name.
And, as far as I knew, no other person in the history of the world had ever felt this way.
In case you're wondering, Lane does do some research, figures out what S&M is, and then demands that they start a full-time dominant/submissive romance. Mr. Grey reluctantly gives in.
The bottom always calls the shots.
See also: Finding Larry's Fetish.; and Fetish 101.